“Zeroes and Ones” opens at Berlin’s KW Institute for Contemporary Art. Connecting zeitgeist theme ‘the algorithm’ with conceptual art, its works span contemporary installation to early-Modernist furniture design. Highlights include Tishan Hsu’s uncanny health care object Biocube (1988, image), Carolyn Lazard’s noise machine array A Conspiracy (2017), and Lee Lozano’s didactic A Boring Drawing (1963–9). The common thread: “scripting, scoring, coding” are “complicated through lived experience,” write the curators.