A newly commissioned, site-specific staging of Troika’s climate dystopia, Terminal Beach (2020), opens at Vienna’s Museum of Applied Arts (MAK) as part of the first Klima Biennale Wien. In it, the London-based artist collective extends the film’s CGI world around an animalistic robot chopping down the last tree on Earth into an immersive, spatial installation: A flooded landscape accentuates the robot’s unsettling efforts while a series of 3D-printed hybrid creatures, Grenzgänger (2024), bask in the reflection.