“Time Holds All the Answers,” a survey of Postcommodity’s work opens at Remai Modern in Saskatoon, Canada. Duo Cristóbal Martínez and Kade L. Twist have long “injected Indigenous knowledge systems into the museum,” challenging its hermeticism and, here, Let Us Pray For the Water Between Us (2020, image) transforms an 8,300 L hazmat storage container into a drum with a motorized mallet sounding interior rhythms, reverberating calls for “respect, accountability, and transparency” in water stewardship.