HOLO is an editorial and curatorial platform, exploring disciplinary interstices and entangled knowledge as epicentres of critical creative practice, radical imagination, research, and activism. Read more
“Thousands of Berliners had waited in line to see the Neues Museum reopen to the public but Egyptians had waited almost a century for her return.”
– Historian Sarah E. Bond, on the century-plus saga of cultural plunder that began with the excavation and depatriation of the Nefertiti bust in 1912. In an article that starts as a chronicle of cultural colonialism, Bond uses Nora Al-Badri and Jan Nikolai Nelle’s 2015 3D-scan of the bust to raise broader questions of heritage and sovereignty.
An exclusive set of three meta-visualizations abstracted from HOLO’s news archive into glorious RGB noise.
Edition of 600, A3 risography prints on 120g metapaper, signed and numbered by the artist.
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