A retrospective of the feminist performance artist in her native France, “ORLAN Manifesto. Body and Sculpture” opens at Les Abattoirs in Toulouse. Collecting 100+ works from ORLAN’s archives, the show links 1960-70s photography and performance, the iconic cosmetic surgeries (image: 7th Surgery-Performance called Omnipresence, 1993), to works in bioart and robotics, underscoring how her practice “opposes morality, natural and social determinisms, and all forms of domination.”