HOLO is an editorial and curatorial platform, exploring disciplinary interstices and entangled knowledge as epicentres of critical creative practice, radical imagination, research, and activism. Read more
“Institutions make these standard statements, but oftentimes they address Indigenous communities as if they are from the past—when they are still present here today.”
– Curator Lauren R. O’Connel, on land acknowledgements. In conversation about the Scottsdale Museum of Contemporary Art (SMoCA) exhibition “Language in Times of Miscommunication,” she contrasts the signage-based “positive reinforcement” of Indigenous artist Anna Tsouhlarakis to the tone and subtext of (boilerplate) land acknowledgements.
An exclusive set of three meta-visualizations abstracted from HOLO’s news archive into glorious RGB noise.
Edition of 600, A3 risography prints on 120g metapaper, signed and numbered by the artist.
We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it.OKNOPrivacy policy