Following Kyle McDonald’s example, Mexican-Canadian media art icon Rafael Lozano-Hemmer “demystifies” his studio’s funding structure with a money flowchart shared on Twitter. Public funding (green) “is the slowest but most reliable source,” notes Lozano-Hemmer, while private collectors (red) provide resources “the fastest but the most out of my control.” The spontaneous acts of transparency were triggered by questions about art as public service and who is in control.