A bestiary of post-anthropocenic creations curated by Charles Carcopino, “Hyper Organisms” opens at iMAL, Brussels. In assembling objects, installations, prints, and video works by twelve artists including Jonathan Pêpe, Katherine Melançon, Ryoichi Kurokawa, Doug Rosman, Justine Emard, and Ujoo + limheeyoung (image: Machine with Pink, 2019), Carcopino looks for hope in the dramatic acceleration of technology and examines how species—natural or artificial—may influence and nourish one another.