Threading connectivity in red, Chiharu Shiota’s “Everyone, a Universe” opens at Fundació Antoni Tàpies in Barcelona. True to her signature delicate network aesthetic, the Japanese artist wires up 43 chairs purchased at a flea market and two thousand skeins of wool into the show’s titular work (2024, image). “Perhaps death is not a return to nothing but, rather, a matter of integrating ourselves,” says Shiota of her preoccupation with mortality and universal interconnection.