HOLO is an editorial and curatorial platform, exploring disciplinary interstices and entangled knowledge as epicentres of critical creative practice, radical imagination, research, and activism. Read more
“Image-making software shortcuts laborious processes. Studio training gets subbed out for tutorials. Painting becomes odourless and nontoxic, offering itself up as a swipe of the mouse.”
– Critic Brian Droitcour, considering how software inflects painting. Through dialogue with Simon Denny, Chris Dorland, Pieter Schoolwerth, and Andrew Paul Woolbright, Droitcour examines how software-savvy artists put “digital image environments in dialogue with centuries-deep traditions of constructing the painterly image.”
An exclusive set of three meta-visualizations abstracted from HOLO’s news archive into glorious RGB noise.
Edition of 600, A3 risography prints on 120g metapaper, signed and numbered by the artist.
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