Canadian artists Janet Cardiff & George Bures Miller open their own art space in rural British Columbia (CA) with a retrospective of several of their renowned works. Featured in the raw ‘art warehouse’ are surround sound installations including The Murder of Crows (2008), a dreamlike “film experience that has no film” sonic pastiche, and The Forty Part Motet (2001, image), which famously turns a Salisbury Cathedral Choir performance into an immersive, embodied, and transcendent listening experience.