Alex Schweder’s “The Sound and the Future” opens at Clifford Gallery in Hamilton, New York. Its name borrowed from its lone work, the exhibition offers a fun glimpse into Schweder’s world of “performance architecture”—dynamic architectural and sculptural forms. Here, a made-to-order very Detroit installation, first shown at Wasserman Projects in 2016, sways again; a homage to Motor City’s dance music genre, silvery nylon inflatables undulate, animated by blown air, to a slowed down techno soundtrack.