“The self-reflexive NFT that employs the theater of absentness suggests that if art offers grace at all, it is volatile, conditional, and inseparable from the systems of capital under which it operates.”
– British essayist and art historian
A.V. Marraccini, on NFTs and the theatre or risk. Invoking Shl0ms’
$CAR, she writes: “The theatricality of the exchanged tokenized object in the volatile market holds none of the surety one expects from grace.”
