Bundling a sci-fi opera and music project into a solo show, Lila-Zoé Krauß’s “[After her Destruction]” opens at Kunsthaus Hamburg. The narrative of the Australian artist’s titular transmedia project centres on a protagonist, Girl, whose dialogue with a computer program blurs digital and dream worlds, questioning “notions of otherness, femininity and subjectivity.” On-site, the project manifests through video installations, and an accompanying album is available online on SoundCloud.

Combining video, dance, and a flute quartet, Marianna Simnett’s opera GORGON premieres at Hebbel am Ufer (HAU) in Berlin. Director Simnett’s narrative weighs “distresses and transformations” brought on by AI (tech writ large) by teaming up its namesake wailing mythic creature with a bored doughnut store employee. Technologist Moisés Horta Valenzuela puts the live flautists in conversation with AI-generated sound, and Holly Herndon’s voice model Holly+ also makes a cameo.